Author Archives: Sibylle

Survival of the Strongest

Many years ago, Chuck Gardner, my favorite Methodist minister, managed to weave some secular history into one of his sermons.  While I don’t remember the sermon itself, nor the context, the piece of history stayed with me.

According to Chuck, in the un-enlightened Middle Ages, parents didn’t really feed their children until they were about 5 years old.  The little ones got table scraps, the left-overs no one else wanted, they searched under the table (if there was one) for stuff that might have fallen down, much like some people’s dogs nowadays.    Appalling, isn’t it.  I remember him saying with a chuckle, “The SRS would have had a field day …” (SRS being the Kansas Department of Social and Rehabilitation Services.)

How could parents be so – mean? so uneducated?  Didn’t they know that children need good food in order to grow into healthy adults?  Of course they didn’t know that.  To them, a young child was a burden, something that wasn’t useful until old enough to help in the field, the kitchen, etc.  Something that more often than not might die before being old enough to be useful.  So, according to their thinking, why would you waste precious food on something you weren’t sure would live to be of use?

To our thinking, this is as irrational as it gets:  not feeding a young child good food because he/she might die …  One can only imagine the number of children who died – because they were malnourished!  And the number of children whose bodies, due to lack of nutritious and plentiful food, were too weak to fight off diseases or stand cold weather or recover from accidents.  Which, I suppose, only served to reinforce their parents’ attitude, “See, Mother, I told you he was too weak to make it!  Glad we didn’t waste good food on him.”

One could argue that only the strongest survived.  But even those strongest, I would like to argue, would have been even stronger had they been given a good start by being fed nutritious meals.  

We still have a bit of this attitude today when we claim “that which doesn’t kill you makes you strong”.  I beg to differ.  Take my mother who grew up during WWII.  While she was lucky enough to be evacuated, along with her younger sister and her mother, to a small village north of Frankfurt, south of a big forest which obstructed the view of the village to incoming (from the North) British bombers, thus in no immediate danger, the food that was available to them was inferior.  This inferior food didn’t kill her, but it didn’t exactly make her strong either.  There are many causes for brittle bones, but I blame hers on the lack of good food during a time when her body would have needed it to build strong bones and muscles.

Of course, good food and generally good care do not guarantee that a child grows up to be a healthy adult.  There are diseases, accidents.  Nor does a lack of good food necessarily mean that a child’s health is forever doomed.  There are no guarantees.  But we know that our chances of living a healthy life improve greatly if we set a good tone from the beginning.

And yet, when it comes to piano lessons, so many parents descend right back into the Middle Ages; it’s frightening.  They don’t want to invest in a good instrument or a good teacher because they are not sure that their child will stick with lessons.  Their argument:  let’s wait and see if the child is “interested” or “shows promise”.  How is this different from those parents a couple hundred years ago who waited until their children showed that they were strong enough to survive before they were fed the good stuff?  Yes, again, the strongest will probably survive.  But even those strongest would be stronger if they had had a good foundation via a good instrument and/or teacher. 

And what about those who are perhaps slow to show interest or whose talent lies dormant for a while – even with a good instrument and teacher?  What about those who need a bit of extra tender loving coddling care to bring out their talents?  They will certainly be turned off by an inferior instrument, perhaps being told that they lack talent. 

I have had several students over the years who initially showed no apparent promise and then suddenly burst into bloom.  I have also had students who showed “promise” initially but then lacked the desire to build on it.

I would propose that all children deserve good food, caring parents, good instruments and good teachers. 

From the beginning.

A new semester

August 18 came and went and life is good again. 

I had returned from Germany late Saturday evening which gave me a wonderfully relaxed Sunday with Mark, a Monday with nothing on the calendar, a Tuesday full of interviews, so by Wednesday the 18th I had had a couple days to come home and get organized, ready to start teaching. 

While I don’t believe in jet lag = the assumption that for a couple days after transatlantic travel my body is still operating in a different time zone, I do acknowledge that spending a day that begins at 5:30 a.m. in Germany and ends some 24 hours later at 10:30 p.m. in Manhattan, KS – a day that is spent sitting and trying to sleep in a taxi, airplane seats, waiting areas and a car – takes its toll on a body that is closer to age 50 than 40.   I was dragging for a few days, taking delicious naps and generally taking it a easy.   It helped that the terrible heatwave which had gripped Manhattan the previous weeks had finally broken right before I arrived back in Kansas. 

My schedule this semester is very full, and it is still evolving:  since I started the piano semester six days before students went back to (public) school, some students were still on vacation which necessitated rescheduling their lessons.  Now that we have started and students are back in school, the reality of how realistic the piano schedule is for my students is starting to sink in.  I have already had requests to move lessons to a slightly different time to accommodate other family obligations during the school year.   Back-to-school nights temporarily mess with the schedule.  So far, I’ve been able to accommodate these requests.  

Other changes that are coming up:  I have particularly many transfer students this semester, and all transfer students start with twice-weekly 30-minute lessons until I am confident I can leave them alone with their assignment for an entire week and we switch to once-a-week 45-minute lessons.  There is no time limit on this transition: for some students it takes a few weeks, for some many months.  So there’ll be changes to my schedule throughout the semester, depending on how fast students transition.  I have future students waiting for a time slot to open so they can start lessons.  I have current students whom I am watching particularly carefully because they are not doing as well as they could and should because I may not be the best teacher for them.  If I determine that I in fact am not what they need I will approach the parents and suggest a change. 

But all in all, the semester is off to a good start and I have a pretty good idea of what my schedule will look like for the rest of the semester.  Busy.

Alle Jahre wieder

It’s that time of year again.

That time, toward the end of July, when I wish I could just fast-forward to August 18 when the Fall Semester starts.  The time until then is so stressful because it holds so many unknowns:  I am not sure how many students will enroll this fall; I don’t yet have the schedules of the ones who will enroll; many parents do not yet have a schedule because especially sports don’t get scheduled until school starts. 

Of course I want the best schedule for everyone – their favorite time, siblings together, conveniently together of course, and so on.  I’ve been bugging Mark to see if there’s some kind of software to help with the scheduling but there are so many variables (on my part) that it just wouldn’t work.  There is scheduling software available, commercially – I googled – but most of them put the scheduling into the parents’ hands.  As much as parents may think that it should be either first-come-first-serve or work by some sort of seniority – that’s not how I schedule.  I want to pick and choose and reconsider and change until I feel that the schedule fits everyone, me included, as perfectly as possible.

In addition to the stress of the unknown, it’s been hot.  Hot and humid and miserable.  Yesterday was the first day in I can’t remember how long that Mark and I were able to ride our bikes.  Well, enjoy to ride our bikes. 

Hot means that we run the a/c which means that in regular intervals there is the noise from the blower (fan?) which is particularly noticeable at night.  We don’t sleep well. 

On top of everything else, I am going back to Germany the first two weeks in August, for the fifth time this year, this time to finalize the closing of my mother’s apartment.  She lived in that apartment for 37 years, I grew up in it.  Several years ago, when my mother and I discussed end-of-life issues and how she would like me to deal with things after her death (we had no idea that she would die so soon), I had already asked her to make sure her landlord knew that I would want to hold on to the apartment for a while after.  The idea of her dying and my having to close the apartment right away was unbearable.  She understood and accepted.  I found among her many many handwritten notes one she had written to herself, to that effect.

I am so very fortunate to have had Mark’s understanding and support with this.  One week after I arrive in Germany in August, it will have been exactly six months since her death.  She herself hadn’t been home in her apartment since about October or November when she left for what was meant to be her over-winter vacation in Turkey. 

It’ll be trying, and I expect emotional upheaval. 

Strangely, and this may be some weird survival technique, I don’t expect the stress from the preparations for the Fall Semester and the stress from the closing of my mother’s apartment to compound each other. On the contrary.  (And this is where it gets weird.)  I am good at completely focusing on one thing, by pushing other things aside.

I am already organizing, long-distance from here in the States, the apartment closing; and I will be working, long-distance, on the Fall Semester scheduling while in Germany.   When the stress from the piano preparations gets too much, I can take a break and take care of my mother’s apartment.  And the other way around.  Use either as a distraction from the other. 

I’ll be glad when it’s August 18.

From John Maxwell

From: JOHN MAXWELL
Sent: Friday, July 16, 2010 12:23 PM
Subject: Piano Lesson

Hello,
 My children are coming for holiday at your location,and at the same
time i will be happy if you can help them with Piano Lesoon you pref
are.
 My children first language is English, best hobby is reading & study,
they are enthusiastic,very patient and very good children.As a
beginners,they are interested to learning the basics and i hope you
can accept them as your student?.
 I will like you to assure me that you are going to take proper care
of teaching them as I’m ready to pay all their necessary expenses for
the lessons. I will want the tutor to hold for 3 Month which consist
of two hours a day, two times in a week for both of them if possible.I
have someone that will always drive them to your teaching location for
the lessons. I will like to know your total cost of
tutoring for 3 Month.I want you to get back to me with above details.
 Please let me hear from you as soon as you receive this mail, so that
we’ll make an arrangement on when to begin lessons and payment is by
US cashier’s check.
 Regards and hope to hear from you soon.
Note:Please do reply to my private email address jonnymaxy013@yahoo.com
John

I just love that little personal touch at the end, with his “private email address” . . .

Teaching siblings

Many a parent, when inquiring about piano lessons, asks if there is a discount for siblings.  While I understand the parents’ point of view, they apparently haven’t thought this through with the teacher in mind. 

Teaching siblings is usually more work rather than less for the teacher because I have to be careful about possible sibling rivalry.  For instance:  should we or should we not use the same book/pieces for all siblings?  In many cases it is better to NOT use the same book so as to avoid unfair comparisons because I have never had siblings who progressed at the same pace exactly.  One is usually faster than the other, if only for some time, and the resulting comparison can be very frustrating and depressing for the slower student, in particular if it is a younger sibling who happens to be the faster student – which is often the case because they have had the advantage of hearing the older sibling practice and play the pieces they then get to learn!  (They don’t have to be in the same book at the same time for these comparisons to happen.) 

As far as scheduling lessons goes:  while parents may think it would be easier to schedule their children all in a row, for the teacher it is far easier to find time for one 30- or 45-min time slot in a day than for two or more 30-or 45-min time slots in a row, especially in an already fairly full schedule.  

I once heard of a teacher who suggested that we should actually charge more for siblings …

Mastery

Time to re-post this entry from two and a half years ago:

I take my work as a piano teacher very seriously, and part of my job is to teach how to perform. Most students and parents underestimate what it takes to perform successfully in public. I have very high standards for myself and for my students, and dismissive comments about a proposed performance, such as, “oh, it doesn’t have to be perfect, it’s just for church …” are unacceptable.

I enjoy teaching all ages and levels, and my goal is always to teach towards mastery. Mastery is different from perfection. A piece may be “perfect” but the skills necessary to perform the piece may not have been mastered.

People tend to think that the first year or so of piano study is not as important because the student is “only” a beginner, but they couldn’t be more wrong! Having to re-teach and re-learn after the student was allowed to acquire bad habits is not only frustrating for both teacher and student, it is highly unfair to the student.

The following is from an article by Bruce Berr, first published in the Autumn 1999 issue of Keyboard Companion (which has since changed its name to Clavier Companion), a professional journal published by The Frances Clark Center for Keyboard Pedagogy, a not-for-profit corporation dedicated to the support of keyboard pedagogy in all its varied aspects:

Newer teachers sometimes assume that because students are at an elementary level, they cannot play their pieces with mastery and artistry – this is not true! This is a matter of confusing standard with level. Instruction on any musical instrument is based on mastery learning. This hinges on the highly-successful completion of each unit of study along the way, especially and particularly the first few. Since students have varying levels of aptitude, and learn at different paces and in different ways, the main variant should be how much time and reinforcement is needed for that mastery, not the degree to which that mastery occurs.

To be more specific, when a well-taught student at any level successfully learns a piece, the student’s performance is virtually as good as the teacher’s:

  • The physical approach is reliable and natural.
  • Fingering is consistent and secure.
  • Tone quality and rhythm are solid.
  • Legato and staccato are clearly played and differentiated.
  • Dynamics and dynamic differences are boldly projected.
  • The performance authentically communicates the title and mood to a large degree, to any music listener (not just the trained ear of the teacher).
  • There is flexibility in all of the above (except fingering!); one slight change in something, intended or unintended, does not cause a cascading failure and meltdown.
  • Playing the piece is enjoyable.

This is true even for the beginner’s first few lessons! Yes, perhaps there are subtle nuances of shaping and timing and other aspects that a more advanced player might bring to an early-level piece. And an older player may understand the music on a deeper intellectual and emotional level, but these are not absolutely essential for each piece to shine and express. If we focus too much on these exceptions, they can become a smoke screen that hides from us an essential fact: if students’ final playing of most of their pieces is not excellent or very close to it, we are in effect building a structure whose foundation is of questionable strength to support what will be added on later.

Setting a goal of complete mastery right from the start, communicating that goal repeatedly to the student, and giving the student the means for meeting that goal – all of this acts as a springboard for many good habits: efficient practice, careful listening, etc. Conversely, if our initial goals for each piece are not set to the highest standards, we sell students short before giving them a chance to fully blossom into what they can become.

Spring

Young piano student, just like at his last lesson, enters the house with a lilac branch in his hand, “Here, lilac. You have a whole BUNCH of ’em in your front yard!” … Sweet kid.

Congratulations!

Congratulations ~ to Nicole, Blaise, Jessica, Kyle, Coleman, Katie, Kristee, Katherine, and Linda for participating in the Piano Concerto Competition on February 13!  There were a total of 29 contestants, covering all grade levels from 1st grade all the way through 12th. 

Jessica placed 2nd in the 1st-3rd grade division, with Nicole and Blaise receiving Honorable Mention. Kristee placed 1st in the 7th-9th grade division, and Linda placed 1st in the 10th-12th grade division.

Congratulation to Taylor for receiving the highest rating (a I rating) at the state level of the High School Piano Festival in Wichita on February 20!

Piano Concerto Competition 2010

With the exception of the year 2009, the Manhattan Area Music Teachers Association’s Piano Concerto Competition takes place every year in late January or in February.  I have been chairperson of this event before, and am now again for 2010.

The Piano Concerto Competition is a very important event in my studio calendar, probably the most important.  For months, my students and I prepare for the competition.  At the moment, one of my students is already preparing for next year’s competition.  I often thought that in order for me to miss the concerto competition, someone would have to die.

This year’s competition took place yesterday, February 13, 2010.

One week ago yesterday, my mother died.  Although her health had been deteriorating, her death was unexpected.  Mark and I flew from the States to Germany, arriving Tuesday morning.  Yesterday, we had her Memorial Service.

I am blessed with wonderful students and colleagues.  For instance, I was able to send a brief email to a student, requesting to reschedule a lesson because my mind was with my mother but not piano, and all I heard back was, “No problem.  Have a safe trip.”

My colleagues pulled together and were able to take over the organization of the event, as well as find accompanists for my nine students, organize their rehearsal, and get them through the competition.

I will remain in Germany for another week, getting started on the closing of my mother’s apartment as well as continuing to take care of the many other obligations which arise after the death of one’s mother.

http://sibylleandmark.wordpress.com/2010/02/13/a-beautiful-fitting-memorial/

Embarrassing

The following is from an article in the K-State News Insider (online).

By playing the video game Rock Band for an hour, K-State students were able to help a pair of psychology professors with their research to understand how people can achieve flow while at work or while performing skilled tasks.

Clive Fullagar, a professor, and Patrick Knight, an associate professor, found that — like Goldilocks — most people achieve flow with work that is neither too easy nor too hard but just right.

“For those students who have a moderate level of skill at Rock Band, the song has to be moderately challenging and match his or her skill level for optimal enjoyment to occur,” Fullagar said. “That has broad implications for teaching. It means that if we want students to enjoy or get a lot of satisfaction out of classes, we need to assign them challenging tasks but make sure that they have the skills necessary to meet the challenges of those tasks.”  [Emphasis added]

The researchers wanted to see how people achieve flow — a state of mind that occurs when people become totally immersed in what they are doing and lose all sense of time. It’s an intrinsically motivating state, which means that people are engaged in the task for the pure enjoyment of performing the task and not for some extrinsic reward.

Posted in Research

 

This is “RESEARCH”??   News-worthy research??  Please show me one teacher for whom the above is news. 

The difficult part for every teacher is of course to find “challenging tasks” while making sure that the student has “the skills necessary to meet the challenges” – and that’s where even the most experienced teachers once in a while fail.  Perhaps not because they weren’t paying attention but because students have a habit of learning not in a straight line but in phases:  it is perfectly possible for a student to struggle with a concept for quite a while, and then suddenly, seemingly out of the blue, they get it.  Sudden change of skill level.

Or, your beginning piano student suddenly doesn’t even remember where Middle C is because “we got a new puppy!!” …  Sudden, if temporary, change of skill level.  

But, please, do we really need “research” to prove what every teacher already knows and aims to incorporate in his/her teaching??